

Exerpts from Big Storm is Brewing (hurricane, too)!
by Manohla Dargis
New York Times
September 26, 2008
Hollywood used to know how to make a lady suffer. It might have thrown her around a little and smudged her mascara, but it also gave as much as it took, delivering the pleasurable goods along with the pain. The emotions were as phony as the tears, yet with the right director, star or script, all that weeping could send an arrow straight through your heart. The audience worshiped Our Lady of Masochism for her misery but also for her triumph, for the mink swaddling her shoulder pads, for the 100 sobbing violins, for the celestial halo circling her head. She was a glamorous sacrament, a delectable offering for the big-screen faithful. It’s no wonder the faithful continue to forsake the movies, given junky embarrassments like “Nights in Rodanthe.” There’s no joy and not even much cruel laughter to be had from the spectacle of sympathetic actors — Richard Gere, Diane Lane, Viola Davis, James Franco — mouthing some of the most pitiful, platitudinous, risible dialogue in recent memory, particularly if you were suckered into watching this movie specifically because of its performers...
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I have a few suggestions for Nicholas Sparks...
Afternoons in Assateague

Mornings in Rehoboth

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Marcy and I suffered through Nights in Rodanthe but only after premiering Quantum of Solace. As we exited the theater, there was more Kleenex on the floor than popcorn. Is $9.50/ticket an outrage? Not necessarily-the outrage is Nicholas Sparks and his scandalmongering romantic love propaganda. There is no redemption for the beleaguered American male strapped with unrealistic expectations.